In the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's carriage is naturally upright, his arms defined beneath a simple white T-shirt. During performances, ballet dancers can seem like mighty gods, yet frequently offstage they are small. This is not true for Ball, whose height is part of his demand for heroic roles and pas de deux work. With fine traits and piercing eyes, there's a hint of a brooding actor about him.
An Apparent Rise to the Pinnacle
At 31, Ball is enjoying the peak of a career that has advanced smoothly. Raised in Liverpool, he faced little teasing for his early passion in ballet. Joining the Royal Ballet School at 11, he graduated directly into the company and was advanced annually, reaching the top rank of principal in 2018. He has relished taking on meaty dramatic roles, particularly the emotional angst found in Kenneth MacMillan's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
His upcoming starring appearance is in a talk, in an "Evening With" series aiming to offer intimate perspectives into a dancer's craft. He will walk the audience through a part, showing his cognitive workflow while execution. Yet in lighter ballets, the test is significant. "Don Quixote is one of the toughest technically," he notes.
The Mental Game and Post-Performance Feelings
How does he feel after a show, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the role, quite often I do feel self-conscious later. Following Mayerling I'm always like: Wow, what must people think?"
Offstage, Ball is reflective, polite, and quick to laugh at himself. But a choreographer previously observed on a "kind of suffering in him." Does this exist? "I am very energetic in general, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an catalyst for good change."
Early Drivers and Creative Influences
His determination originated in early experiences. Not doing well in contests at school made him "vengeful!" This became fuel to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.
An upcoming challenge is making his own dance works. In his view, "organic movement has value." "Challenging the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing inspiration from books, compositions, and painting.
Intimate Dance and Private Partnership
He additionally favors presenting dance in smaller spaces. "It was just really thrilling," he says of a past show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"
Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." The couple are not usually paired on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s biggest supporter."
Regarding Instagram and Bodily Image
On social media, fans can see videos from his projects and images that highlight a athletic physique. Does he care that the engagement can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—an object that can be seen on multiple ways.
Ball describes his younger self as "eager for success." Has it lived up to his expectations? "I am conscious of how life is a different thing to the aspirations you had as a young person," he muses. He probably has another ten years of performing ahead. "I suppose in the time to come, I want to be a bit more gentle with myself."